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JAMES HOLLAND-OIL PAINTING-HOLLYHOCKS

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SKU: kt016/spr11 Category: Tag:
JAMES HOLLAND-OIL PAINTING-HOLLYHOCKS
3953_1
3953_1
SKU: kt016/spr11

Out of stock

JAMES HOLLAND-OIL PAINTING-HOLLYHOCKS

JAMES HOLLAND

1800 – 1870 British
 
Hollyhocks
 
Signed & dated 1839
London Royal Academy exhibition label on stretcher verso
Original gilt carved exhibition frame
Stock Number: kt016/spr11
Height: 32 ins / 81.28 cms
Width: 25 ins / 63.5 cms
Price: SOLD

Provenance: John Henderson, 3 Montague Street, Russell Square, London. 1871. The private collection of a Lady, East Sussex, 1970-2011.
Exhibited: London Royal Academy 1871.

James Holland was born in Burslem, Staffordshire, where his father and other members of his family were employed at the pottery works of William Davenport in Longport. James was himself employed there, from the age of 12, for 7 years, painting flowers on pottery and porcelain. In 1819, he came to London where he continued to work as a pottery painter, and concentrated on flower painting.
He first exhibited at the Royal Academy in 1824 and in 1830 visited France and made studies of its architecture. In 1823 he exhibited a picture of ‘London from Blackheath’. In l835 he became an associate exhibitor of The Society of Painters in Watercolours, but he left the society in 1843, and joined the Society of British Artists, of which he remained a member until 1848. He rejoined the Watercolour Society in 1856, and was elected a full member two years later.
Holland did a great deal of drawing for the illustrated annuals of the day, and for this purpose visited Venice, Milan, Geneva, and Paris in 1836, and Portugal in 1837. His paintings of Portugal were published in the book, “The Tourist in Portugal”. In 1839 he exhibited a painting of Lisbon at the Royal Academy. In 1845 he went to Rotterdam, Portugal again in 1847, in 1850 to Normandy and North Wales, in 1851 again to Geneva, and in 1857 again to Venice.
In the course of his life he exhibited, in addition to his contributions to the Watercolour Society, 32 pictures at the Royal Academy, 91 at the British Institution, and 108 at the Society of British Artists. Though generally classed as a watercolour painter, he was equally skillful in oils. He was one of the finest colourists of the English school, and his pictures, especially those of Venice, though neglected in his lifetime, became much sought after in the years after his death. The V&A and Tate Gallery hold his work, as well as museums in many major cities in the UK, Ireland and Canada.

‘Hollyhocks’ is the only major flower oil painting by Holland to come on the market in the last century , painted just 2 years into Victoria’s reign in 1839, it would complement the finest of Victorian art collections.

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